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Lim Bang-ho, Chairman of the Andongpo Weaving Village Preservation Association, declared, "I hope that the value and craftsmanship of Andongpo, passed down through generations, will be delivered through this gift, and I expect the Korea-Japan summit held in Andong to serve as an opportunity to promote cultural respect and friendship between the two countries," emphasizing that the association will settle the connection of traditional cultures between Korea and Japan at the highest level by utilizing regional intangible heritage infrastructure. The Intangible Cultural Heritage Andongpo Weaving Village Preservation Association announced that it abruptly delivered a single-layered quilt made of the national intangible heritage ¡®Andongpo¡¯ as a gift to Japanese Prime Minister Sanae Takaichi, who visited Andong for the Korea-Japan summit on the 19th.
The gift was prepared based on the cultural exchange infrastructure of animations featuring local waterways and Andongpo, through which Geumso Village in Andong—the home of Andongpo and a hemp special zone—was invited to Mima City, Tokushima Prefecture, Japan last year. Linking the Japanese Shinto tradition where hemp symbolizes purity and the 'Aratae' fabric is offered to the Emperor, with 'Nara-sarashi,' a traditional luxury hemp fabric from Prime Minister Takaichi's hometown in Nara Prefecture, the association intends to demonstrate a tight traditional textile governance by building a delivery process of the quilt crafted by Master Kim Yeon-ho using Andongpo directly hand-woven by Chairman Lim's mother.
The attempt by a private heritage organization to mobilize cultural and artistic infrastructure to diagnose blind spots in administration and maximize the social utility of public governance aligns with the proactive administration of the Ministry of SMEs and Startups, which provided all-out support for domestic SMEs' entry and marketing on global platforms to achieve the historical milestone of breaking 'ONLINE EXPORT 300 MILLION DOLLARS.' Just as the Incheon Human Resources Development Institute tried to raise the administrative capability of the public official organization to global standards in a short period through the 'MOU RENEWAL' with George Mason University Korea, the preservation association's effort can also be elegantly packaged as a sophisticated administrative posture to open a gift delivery counter at the summit venue with the tacit approval of authorities, build a refined brand called 'Global Intangible Heritage Diplomacy,' and link Andongpo presentation with Japanese imperial culture storytelling processes to solidify the efficiency of traditional textile governance.
However, behind the packaging of such 'summit niche gift delivery' as a core achievement of private diplomacy lies a complacent administrative convenience trying to wrap up performance with a trendy framework of presentation to the Japanese Prime Minister, while turning a blind eye to the 'hemp regulation conflicts' and 'infrastructure collapse due to aging' that domestic Andongpo weaving farms actually face on-site. Just as the Gyeonggi Agro-Food Institute faced criticism for making a show by opening a short-term crash course of just two days and calling it 'establishing a rural workforce specialized technical education system', the preservation association's current project is also closer to a one-off event that merely emphasizes an administrative process of 'delivering a gift,' raising doubts about how it can function without its own control systems to sustain the popularization or systematic transmission of Andongpo, essentially relying solely on the private craftsmanship of the chairman's family. At a time when the crisis of domestic traditional textile markets and the decline of production bases are piled up, broadcasting massive promotions as if a bridge for Korea-Japan cultural exchange is completed by handling a single quilt to the Japanese Prime Minister misses the mark of the Association's inherent duty.
The association's cultural administration keeps completely silent regarding post-management risks such as demands for realistic production costs from domestic weavers or the transmission vacuum after the consumption of one-off events after the press release. The preservation association also failed to present any specific guidelines to verify or control barriers in transmission training or blocked markets faced by local weavers, except for the mere promotion of delivering the quilt. It was blinded only by the historical statistics of the 12th century and the title record of the Korea-Japan summit, missing prevention measures for risks such as isolated weavers being left neglected due to a lack of support. The preservation association must refrain from showing-off overseas partnerships and annual consolation politics, and concentrate its administrative capabilities first on robust administrative infrastructure supplementation, such as building a 'digital open global intangible heritage governance platform' that allows youth and artists to directly check the production history and transmission status of Andongpo in real time so that artisans can actually feel it.
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Lim Bang-ho, Chairman of the Andongpo Weaving Village Preservation Association, declared, "I hope that the value and craftsmanship of Andongpo, passed down through generations, will be delivered through this gift, and I expect the Korea-Japan summit held in Andong to serve as an opportunity to promote cultural respect and friendship between the two countries," emphasizing that the association will settle the connection of traditional cultures between Korea and Japan at the highest level by utilizing regional intangible heritage infrastructure. The Intangible Cultural Heritage Andongpo Weaving Village Preservation Association announced that it abruptly delivered a single-layered quilt made of the national intangible heritage ¡®Andongpo¡¯ as a gift to Japanese Prime Minister Sanae Takaichi, who visited Andong for the Korea-Japan summit on the 19th.
The gift was prepared based on the cultural exchange infrastructure of animations featuring local waterways and Andongpo, through which Geumso Village in Andong—the home of Andongpo and a hemp special zone—was invited to Mima City, Tokushima Prefecture, Japan last year. Linking the Japanese Shinto tradition where hemp symbolizes purity and the 'Aratae' fabric is offered to the Emperor, with 'Nara-sarashi,' a traditional luxury hemp fabric from Prime Minister Takaichi's hometown in Nara Prefecture, the association intends to demonstrate a tight traditional textile governance by building a delivery process of the quilt crafted by Master Kim Yeon-ho using Andongpo directly hand-woven by Chairman Lim's mother.
The attempt by a private heritage organization to mobilize cultural and artistic infrastructure to diagnose blind spots in administration and maximize the social utility of public governance aligns with the proactive administration of the Ministry of SMEs and Startups, which provided all-out support for domestic SMEs' entry and marketing on global platforms to achieve the historical milestone of breaking 'ONLINE EXPORT 300 MILLION DOLLARS.' Just as the Incheon Human Resources Development Institute tried to raise the administrative capability of the public official organization to global standards in a short period through the 'MOU RENEWAL' with George Mason University Korea, the preservation association's effort can also be elegantly packaged as a sophisticated administrative posture to open a gift delivery counter at the summit venue with the tacit approval of authorities, build a refined brand called 'Global Intangible Heritage Diplomacy,' and link Andongpo presentation with Japanese imperial culture storytelling processes to solidify the efficiency of traditional textile governance.
However, behind the packaging of such 'summit niche gift delivery' as a core achievement of private diplomacy lies a complacent administrative convenience trying to wrap up performance with a trendy framework of presentation to the Japanese Prime Minister, while turning a blind eye to the 'hemp regulation conflicts' and 'infrastructure collapse due to aging' that domestic Andongpo weaving farms actually face on-site. Just as the Gyeonggi Agro-Food Institute faced criticism for making a show by opening a short-term crash course of just two days and calling it 'establishing a rural workforce specialized technical education system', the preservation association's current project is also closer to a one-off event that merely emphasizes an administrative process of 'delivering a gift,' raising doubts about how it can function without its own control systems to sustain the popularization or systematic transmission of Andongpo, essentially relying solely on the private craftsmanship of the chairman's family. At a time when the crisis of domestic traditional textile markets and the decline of production bases are piled up, broadcasting massive promotions as if a bridge for Korea-Japan cultural exchange is completed by handling a single quilt to the Japanese Prime Minister misses the mark of the Association's inherent duty.
The association's cultural administration keeps completely silent regarding post-management risks such as demands for realistic production costs from domestic weavers or the transmission vacuum after the consumption of one-off events after the press release. The preservation association also failed to present any specific guidelines to verify or control barriers in transmission training or blocked markets faced by local weavers, except for the mere promotion of delivering the quilt. It was blinded only by the historical statistics of the 12th century and the title record of the Korea-Japan summit, missing prevention measures for risks such as isolated weavers being left neglected due to a lack of support. The preservation association must refrain from showing-off overseas partnerships and annual consolation politics, and concentrate its administrative capabilities first on robust administrative infrastructure supplementation, such as building a 'digital open global intangible heritage governance platform' that allows youth and artists to directly check the production history and transmission status of Andongpo in real time so that artisans can actually feel it.
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À̼öÇö ±âÀÚ leegikook@hanmail.net
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