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°¡¿äÁø ±âÀÚÀÔ·Â : 2026. 08. 28(±Ý) 14:48

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[±¹°¡À¯»êû/CTN]°¡¿äÁø ±âÀÚ= ȲÀÎÈ£ ±¹¸³ºÎ¿©¹®ÈÀ¯»ê¿¬±¸¼ÒÀåÀº "¹ß±¼¡¤¿¬±¸ ¼º°ú¸¦ ´Ù¾çÇÑ Áö¿ª Çù·Â ¼º°ú·Î ¿¬°èÇÏ¿© ¹®ÈÀ¯»êÀÇ °¡Ä¡¸¦ Àü´ÞÇϰí Ȱ¿ëÇÏ´Â Àû±ØÇàÁ¤À» Áö¼ÓÇϰڴÙ"¶ó°í ¸»Çß´Ù. ±¹¸³ºÎ¿©¹®ÈÀ¯»ê¿¬±¸¼Ò´Â ºÎ¿© °üºÏ¸®À¯Àû ÃâÅä ȾÀû ÀçÇö ¾Ç±â 3Á¡À» ºÎ¿©±ºÃæ³²±¹¾Ç´Ü¿¡ ±âÁõÇß´Ù°í ¹àÇû´Ù.
¿¬±¸¼Ò¿¡ µû¸£¸é À̹ø ÀçÇö ¾Ç±â´Â 2022~2025³â ¹ß±¼µÈ ¹éÁ¦ »çºñ±â ȾÀû À¯¹°À» ¹ÙÅÁÀ¸·Î 3Â÷¿ø ½ºÄ³´× ¹× À½Çâ º¹¿ø ¿¬±¸¸¦ °ÅÃÄ Á¦ÀÛµÆÀ¸¸ç, Ã뱸 1°³¿Í Áö°ø 6°³¸¦ °®Ãá 31cm ±æÀÌ·Î ¸¸µé¾îÁ³´Ù.
±¹¾Ç´ÜÀº ±âÁõ¹ÞÀº ¾Ç±â¸¦ ÇâÈÄ '¿À¾Ç»ç' Á¤±â °ø¿¬ ¹× Áö¿ª ¹éÁ¦ À½¾Ç °ü·Ã Çà»ç ¹«´ë¿¡¼ Ȱ¿ëÇÒ ¹æÄ§ÀÌ´Ù.
±¹°¡ÁöÁ¤ ¿¬±¸±â°üÀÌ Áö¿ª ¹ß±¼ À¯¹°ÀÇ °íÁõ ¿¬±¸¸¦ ¹ÙÅÁÀ¸·Î ÀçÇöǰÀ» Á¦ÀÛÇØ Áö¿ª ½Ã¸³¡¤±º¸³ ¿¹¼ú´Üü¿¡ ±âÁõÇÏ´Â °ÍÀº ¹®ÈÀ¯»ê ±â°üÀÇ Á¤·ÊÀûÀÎ ¿¬±¸ ¼º°ú Ȱ¿ë ÇàÁ¤ÀÌ´Ù.
±×·¯³ª À¯¹° ÀϺθ¦ ¹ÙÅÁÀ¸·Î Á¦ÀÛÇÑ ´Ü 3Á¡ÀÇ ¾Ç±â ±âÁõ ¼Ò½ÄÀ» µÎ°í ¸¶Ä¡ ¹éÁ¦ ¿Õ±Ã À½¾Ç ÀÎÇÁ¶ó Àüü°¡ ¿ÏÀü º¹¿øµÈ ¾ç ¼º°ú¸¦ Æ÷ÀåÇÏ´Â °ÍÀº °ü¼ºÀûÀÎ Ä¡Àû È«º¸¶ó´Â ÁöÀûÀ» ÇÇÇÏ±â ¾î·Æ´Ù. ´Ü¼øÇÑ ±âÁõ Çà»ç °³ÃÖ³ª ´Ü¹ß¼º °ø¿¬ Ȱ¿ë ¼º°ú¿¡ ¾ÈÁÖÇÒ °ÍÀÌ ¾Æ´Ï¶ó, ¹ÌÁøÇÑ °íÀ½¾Ç À½°í ºÐ¼®°ú ¹éÁ¦ ¾Ç±â Àü¹Ý¿¡ ´ëÇÑ Ã¼°èÀû Çмú °íÁõÀ» Áö¼ÓÇÏ´Â °ÍÀ¸·Î ¿¬±¸ ÇàÁ¤ÀÇ ½ÇÈ¿¼ºÀ» Áõ¸íÇØ¾ß ÇÑ´Ù.
[¿µ¹®¹ø¿ª ±â»ç-AIȰ¿ë]
In-ho Hwang, Director of the National Buyeo Research Institute of Cultural Heritage, highlighted the administrative achievement, stating, "We will continue active administration to deliver the value of cultural heritage through regional cooperation." The institute announced it donated three replicated transverse flutes to the Buyeo Chungnam Traditional Music Orchestra.
According to the institute, the instruments were recreated based on Baekje-era artifacts excavated between 2022 and 2025 using 3D scanning and acoustic research, featuring six finger holes and measuring 31 cm.
The local music troupe plans to feature these replicated flutes in upcoming regional performances and cultural shows.
While national heritage research institutes restoring artifacts and donating replicated assets to municipal performing arts groups presents a plausible narrative for public heritage governance, skepticism remains.
Critics point out that packaging the donation of just three replicated flutes as a monumental milestone in ancient music restoration borders on routine administrative self-praise and selective marketing. Rather than relying on public announcements highlighting donation ceremonies or preliminary performance debuts, the heritage authority needs to deliver concrete long-term research, such as comprehensive tonal analysis and systematic historical verification of ancient music.
¿¬±¸¼Ò¿¡ µû¸£¸é À̹ø ÀçÇö ¾Ç±â´Â 2022~2025³â ¹ß±¼µÈ ¹éÁ¦ »çºñ±â ȾÀû À¯¹°À» ¹ÙÅÁÀ¸·Î 3Â÷¿ø ½ºÄ³´× ¹× À½Çâ º¹¿ø ¿¬±¸¸¦ °ÅÃÄ Á¦ÀÛµÆÀ¸¸ç, Ã뱸 1°³¿Í Áö°ø 6°³¸¦ °®Ãá 31cm ±æÀÌ·Î ¸¸µé¾îÁ³´Ù.
±¹¾Ç´ÜÀº ±âÁõ¹ÞÀº ¾Ç±â¸¦ ÇâÈÄ '¿À¾Ç»ç' Á¤±â °ø¿¬ ¹× Áö¿ª ¹éÁ¦ À½¾Ç °ü·Ã Çà»ç ¹«´ë¿¡¼ Ȱ¿ëÇÒ ¹æÄ§ÀÌ´Ù.
±¹°¡ÁöÁ¤ ¿¬±¸±â°üÀÌ Áö¿ª ¹ß±¼ À¯¹°ÀÇ °íÁõ ¿¬±¸¸¦ ¹ÙÅÁÀ¸·Î ÀçÇöǰÀ» Á¦ÀÛÇØ Áö¿ª ½Ã¸³¡¤±º¸³ ¿¹¼ú´Üü¿¡ ±âÁõÇÏ´Â °ÍÀº ¹®ÈÀ¯»ê ±â°üÀÇ Á¤·ÊÀûÀÎ ¿¬±¸ ¼º°ú Ȱ¿ë ÇàÁ¤ÀÌ´Ù.
±×·¯³ª À¯¹° ÀϺθ¦ ¹ÙÅÁÀ¸·Î Á¦ÀÛÇÑ ´Ü 3Á¡ÀÇ ¾Ç±â ±âÁõ ¼Ò½ÄÀ» µÎ°í ¸¶Ä¡ ¹éÁ¦ ¿Õ±Ã À½¾Ç ÀÎÇÁ¶ó Àüü°¡ ¿ÏÀü º¹¿øµÈ ¾ç ¼º°ú¸¦ Æ÷ÀåÇÏ´Â °ÍÀº °ü¼ºÀûÀÎ Ä¡Àû È«º¸¶ó´Â ÁöÀûÀ» ÇÇÇÏ±â ¾î·Æ´Ù. ´Ü¼øÇÑ ±âÁõ Çà»ç °³ÃÖ³ª ´Ü¹ß¼º °ø¿¬ Ȱ¿ë ¼º°ú¿¡ ¾ÈÁÖÇÒ °ÍÀÌ ¾Æ´Ï¶ó, ¹ÌÁøÇÑ °íÀ½¾Ç À½°í ºÐ¼®°ú ¹éÁ¦ ¾Ç±â Àü¹Ý¿¡ ´ëÇÑ Ã¼°èÀû Çмú °íÁõÀ» Áö¼ÓÇÏ´Â °ÍÀ¸·Î ¿¬±¸ ÇàÁ¤ÀÇ ½ÇÈ¿¼ºÀ» Áõ¸íÇØ¾ß ÇÑ´Ù.
[¿µ¹®¹ø¿ª ±â»ç-AIȰ¿ë]
In-ho Hwang, Director of the National Buyeo Research Institute of Cultural Heritage, highlighted the administrative achievement, stating, "We will continue active administration to deliver the value of cultural heritage through regional cooperation." The institute announced it donated three replicated transverse flutes to the Buyeo Chungnam Traditional Music Orchestra.
According to the institute, the instruments were recreated based on Baekje-era artifacts excavated between 2022 and 2025 using 3D scanning and acoustic research, featuring six finger holes and measuring 31 cm.
The local music troupe plans to feature these replicated flutes in upcoming regional performances and cultural shows.
While national heritage research institutes restoring artifacts and donating replicated assets to municipal performing arts groups presents a plausible narrative for public heritage governance, skepticism remains.
Critics point out that packaging the donation of just three replicated flutes as a monumental milestone in ancient music restoration borders on routine administrative self-praise and selective marketing. Rather than relying on public announcements highlighting donation ceremonies or preliminary performance debuts, the heritage authority needs to deliver concrete long-term research, such as comprehensive tonal analysis and systematic historical verification of ancient music.
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°¡¿äÁø ±âÀÚ gyj1119@naver.com
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